“What you should really be saying is: ‘That’s John Barry’.” Bond is such a cultural touchstone, it has enshrined individual musicians and even sounds, such as the thundering tam-tam that heralds "Goldfinger". ![]() “He went to dictate – to establish – a musical tone and language where you go: ‘That’s Bond’,” says Hale. No on, Barry extended Norman’s surf-guitar theme with percussion, strings and brass and jazz influences, creating a blueprint distinct enough for all subsequent Bond composers to follow. (Consider how readily it’s parodied.) From 1962’s Dr. ![]() ![]() That is the achievement of John Barry, the York-born composer who, from the 1960s through to his death in 2011, shaped what we think of now as the sound of spies.
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